Orbs By Beans | Orb Observations With Photos

BEAN SOUP 9
Subject - Consciousness Interaction
June 29, 2006

PART 1

When a person begins photographing what is commonly referred to as the "Paranormal" one can find themselves in one area or choose a number or combination of different areas. Areas like Departed Spirits, Inter Dimensionals, Universal Mind, Nature Spirits & Nature Beings, and all points in between.

Regardless of the area(s) you find yourself photographing, through accumulated experiences you begin to notice things occurring that may seem unusual to unexplainable. They are usually little things like feeling a strong intuitive urge to photograph in a different direction or suddenly waking up in the middle of the night, throwing on some clothes and dashing outside with your camera, knowing it is imperative that you begin photographing immediately. Sometimes it can be as dramatic as camera equipment failures or your car's electrical system shutting down when driving, a new life form appearing, or a recognizable Orb that repeatedly shows up in your photos. As you review photos taken at those intuitive response moments or in prolonged dramatic photographic events that unfold before you, you are more times then not rewarded with some interesting to unique photos. Many times important meaningful information will be communicated to you through the experience you have just participated in corroborated by photos of the event.

If you sit down and really review your history of experiences you realize you have probably experienced, seen, know, and are aware of a lot more then you may have originally thought. This knowledge and awareness of your subject area(s) manifests to you in different ways and varying degrees, including various ways of inner knowing. There is at least a conscious acknowledgment that things you did experience, but perhaps can't quite explain, occurred. Things such as various types of interaction with different living energies or life forms, varying degrees of dimensional & multi-dimensional sentience and consciousness interaction, verbal & telepathic communication efforts and responses corroborated by photos, or other tangibles and intangibles that you can't help but notice from your experiences of photographing over a period of time.

Regardless of your photographic area, approach, or who shows up, there seems to be a common thread that we all experience whether we are consciously aware of it or not. That common thread is "Consciousness Interaction" which is a result of being an active participant in the event as it unfolds. The experience of our consciousness interaction in every event occurs in different levels of our awareness and is recorded within us.

Could we be genetically wired and linked to what we photograph? Could interaction with all kinds of normally unseen life forms and energies be much more commonplace than we might have thought? Does a departed spirit at some point collect their ecto mist energy body and condense it into an Orb form as an efficient form for travel? Are some of the Orbs we photograph artificially created to varying degrees and used for different tasks? There are so many questions and each of our individual experiences bring up more possibilities reflecting aspects of the whole.

If you don't already project your awareness, allow any sense of separation from your surroundings to dissolve, and open your intuition when photographing, please take the time to do this. Begin including it as part of your photographic efforts regardless of what intuitive tools or approaches you choose. It will enrich you and provide much more meaning to what you experience when photographing. Allow yourself the opportunity to find out more about this wondrous life that we are all a part of by expanding your approach to your own experiences. Consciousness Interaction is the common thread running through all of these areas, individually realized through interactive participation.

There can be several inherent conditions in this approach that can appear confusing to some people, usually resulting in varying degrees of skepticism of validity to non-acceptance. The first of these is the medium of the still photograph. Does a still photograph actually depict whatever description is assigned to it as a single representation? Sometimes yes and sometimes no, depending on how it is presented and what it is supposed to represent. If you are relating an activity sequence of some kind, either represented by photos, or the photos are representative and corroborative of your experience which you are relating in a narrative, one might want to present a sequence of photos of the event you experienced. Even creating a simple sequence like adding a before and after photo to a single subject photo can provide much more information and context to that single photo. For this reason, many times the photos of an activity sequence with nothing in them are often more important than the individual photos of the sequence with activity in them because of the contrast and context they provide to the sequence.

Another inherent condition is the personal experience of the photographer as the event is unfolding. Writing down your perceptions and experiences as an active participant in the event is very important. It provides substance, coherence, contrast, and context to the descriptive photos documenting the event you have just experienced. A personal account of the photo event is a very helpful and informative reference point and an additional point of view as one reviews activity sequences of the photo event. This is especially noticeable when photos corroborate and coincide with your personal experiences at the same time in the photo event.

Consciousness Interaction is all about providing the opportunity for Orbs and other life forms to reveal themselves and allowing each of us to have our own interactive experience with them. Through personal participation you provide yourself an opportunity for experiential interaction with all of life forms and life energies we are all a part of. It's the opportunity to interact and explore with no restrictions, no protocols, no preconceived ideas about what is real and what isn't. It's the opportunity to be part of life revealing itself as it is, not as some would interpret and have you think it is. As we accumulate interactive experiences we have experiential references for not only our own future experiences but as a meaningful tools for reviewing photos of events, individual events, and event sequences. Experiential reference points are immediately noticeable when evaluating other people’s comments or observations. Some people may ask for proof after you have related an experience accompanied by photos, or say you are making claims of one kind or another. This is most curious as all you have done is related and presented your experience. Each of us owes it to ourselves to find out for ourselves. Each person's experiences are unique and important and are aspects of the whole.

The validity of an event realized through the personal experience of being an active participant as it unfolds is a very powerful personal reference. Since each of our opinions is the only one that matters we owe it to ourselves to find out for ourselves and not just sit back and accept what other people say something is or isn't, or that their approach is superior to yours. Consciousness Interaction, however you pursue and experience it, is one approach that provides us all an opportunity to find out more of Life we are involved in and our relationship in it.

There are no experts: You're it!
The photographer is the best eyewitness, they were part of the event as it unfolded!
Yours is the only opinion that matters, so find out for yourself !

Have a Wonderful Day
&
Make it a Masterpiece

John & Jan

PART 2

Orb photography can be and often is controversial and confusing. Contributing to this are the different approaches and variations each of us take to pursue and view our personal experiences and those of others. Since many of us are in the same boat trying to understand this subject to the extent we individually can and want to, two general areas interact to varying degrees with varying degrees of importance determined by each of us.

When many of us first began photographing we tried what is generally and loosely referred to as more of a scientifically oriented approach. At that time for us, it was or seemed to be promoted as photography protocols. The more we photographed the more we noticed it did not match many of our personal experiences as corroborated by our photos.

Jan & I experience Orb photography with a Consciousness Interaction approach. Consciousness Interaction feels perfectly natural, logical, infinitely more informative, and of much more personal value & meaning than conventionally referred to scientifically oriented approaches. We understand it much more and it makes sense to us.

"Consciousness Interaction" - when one realizes there is much more going on in their photos than first thought, and there can be an actual communication being transferred between the photographer and one or more Other Reality Beings being photographed. The result is that there is the knowledge that no longer are you photographing an inanimate object, but a sentient or conscious, and perhaps an intelligent life form. This is usually recognized in the activity sequences of a photo shoot or a string of photo shoots of a continuing subject thread.

Consciousness interaction can come about by simply calling Orbs to come in and you may notice that they suddenly appear. As you are photographing you can recognize the type of responses from them to your projected intent at the time as well as your responses to their interaction. Consciousness interaction can be recognized when viewing a number of your photos in sequences that can result in a story or information being revealed to you. This can relate to the present, short term, and immediate future events. Information can be revealed to you whether you asked for it or not.

Consciousness Interaction is not only a photographic approach it is also an equally important way of viewing photo shoots and events. Viewing activity sequences without any preconceived ideas allows one to view the activity as it is revealed and how it is revealed. You're viewing it on its terms, not qualifying or evaluating it on yours. This gives one an opportunity to view what is happening in a much more open and objective manner. When you then add your experience as a participant you have a greater opportunity to have a more comprehensive picture of what you are looking at and what occurred. In other words allow the event, including your experience in it, to reveal and communicate itself to you. This is the best way we have found to allow Other Reality Beings, through the medium of still photography, to begin to reveal themselves.

Below are some general examples of Orb responses and activity that we have experienced. We don't find these to be uncommon so be on the look out for them in you photo events.

1. When you are photographing and there are no Orbs in your photos, call Orbs in to join you for photos. When they show up ask them (project the invitation) to come in closer, then closer, and so on. When they do respond to you and come in closer in each photo this can be a good example of simple telepathic communication.

2. When Orbs are in your photos and you don't want them there, ask them to not come in to your photos. They will normally respond.

3. Orbs normally respond to your projected positive energy and that of your photographic environment. Negative energy either drives them away or makes them apprehensive to come in. Get familiar with the energy quality and the different amounts in your photographic environment and see how it can affect Orb response.

4. Look for Orbs in your photos showing you things.
A. They'll move back and forth very quickly to get your attention so check your activity sequences of the shoot for more information.
B. In the past when we have been dealing with debunkers for several days in a row, noticeably more Orbs than usual have shown up in our photos behind tree branches or objects. It's their way of saying "Hey, we aren't dust, moisture, or lens flare - and we are just not that close to the camera lens. We're for real".
C. For us, Orbs with holes is usually a warning of some kind pertaining to a physical event. If you notice these in your photos take note of what this condition may be telling you. Your experiences may be different.

5. Individual Orbs can show up and stay with you for a while. Use this opportunity to create a relationship with that Orb. Ask him/her to join you for photos, to go with you to different individual or multiple photo locations you might visit in one night. Check your photos to see if that Orb followed you from location to location. Be sure to periodically photograph your vehicle. Many of them love to ride in cars with you. Many times they'll be in your vehicle first waiting on you to get in, so before you do take a photograph of your vehicle and see if that Orb is inside waiting for you.

Hopefully this little description of how we photograph Other Reality Beings and view those photos in some way may be helpful to you. The key to doing this is active participation and interaction with an open mind. By setting the stage to allow Other Reality Beings to reveal themselves just as they are and pursuing interaction with them, you are affording yourself the opportunity to experience this area first hand. Personal experience is much more valuable and meaningful than intellectual theories or sitting around talking about it. So, good luck & have fun. You never know who you're going to meet in this vast neighborhood we live in.

There are no experts: You're it!
The photographer is the best eyewitness - they were part of the event as it unfolded!
Yours is the only opinion that matters, so find out for yourself !

Have a Wonderful Day
&
Make it a Masterpiece

John & Jan

After compiling John's beginning photos taken with the Nikon D70S, we realized they were the perfect ones to go along with this article! Read the story and see them here:

Nikon D70S Photos

Soup's On!

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BEAN SOUP 10
Subject: Dust Has Always Been Here!
March 28, 2008
I was looking at someone's dust experiments - they were not getting Orbs.
Suddenly I realized that dust was not a recently created substance - it has been here from the beginning and will probably be here up until the end.

The earliest known photo with an Orb in it was taken in 1896. Obviously not taken with a digital camera.
We got our first Orb with a 35mm Minolta film camera.
Orbs are not relegated to being only digital related.

There has been dust in every photograph taken, regardless if the camera used was digital or film.
Going by the dust theory, not only should every photo taken since cameras were invented have Orbs in them, the Orbs would be so thick you would not be able to see what you were shooting at.

So much for that.

Soup's On, and boiling!